Sunday, July 26, 2026

Not Tonight...

 I had ambitions to post Run, Run Rudolph and Painsville, but that will not be happening for two reasons: 

1.) It is clear that I have to re-read the script in order to edit them (Run, Run Rudolph needs some revisions for the story to make sense; Painsville has some problematic language... mind you, that language is in the script so the reader/viewer can identify the antagonists as the bigoted wastes of life that they are, but I can one of my own antagonists using it against me).

2.) I have adulting to do (new patient paperwork for a doctor's visit, research to determine how I will vote in the August 4th election, etc.) and I just don't have the time and focus to re-read those scripts, make the necessary adjustments and publish them just now. 

What's more, I don't think I will have the time, effort and concentration to do any writing tonight.

Perhaps next week.  

PETCARE Screenplay published to Kindle

Today I am going to publish at least two more of my screenplays on Kindle.

One of them I am unsure about.

It is titled Petcare and it is another one of my attempts at writing a short horror script intended for the (now long-defunct) Masters of Horror show.

Anyhow, I am unsure of this script because it contains horrific acts of domestic abuse, including child abuse. 

Obviously, the script is aggressively against all of those abhorrent acts and (as is the case with most of my stories) the wicked do indeed get their comeuppance (in the most gruesome of ways). But the road leading to that retribution is tough to read and visualize. 

I don't know.

We shall see if I choose to publish it.

On the one hand, I want people to read this story.

On the other hand, I do indeed work in academia and do not want someone reading this script, missing the point and forming a witch hunt against me. That would be a constant worry for me.

I think I will let my buddy Tim (a proud parent) be the judge. 

After all, there's no rush.

I am writing many more scripts that will eventually land on Kindle.

And I have a full library on there now, even as I write this.

But in preparation for its eventual publication I have done a second draft (and taken out some problematic lines, as well as fixed some formatting issues and taken out some unnecessary plot devices that, in retrospect, didn't work... I also had to update a lot of the script, as it was written nearly 20 years ago!) and designed a one sheet for it (seen below). My buddy Tim even helped pick out the image for the poster.

Anyhow, my first Christmas horror script (Run, Run Rudolph) will be available soon, as will my first attempt at backwoods redneck horror (think Texas Chainsaw MassacreThe Hills Have EyesX (2002), Wrong Turn (2003), etc.) Painsville should be available later on today. 

 


 

 

Saturday, July 25, 2026

STAGE BLOOD Screenplay Now Published on Kindle

 I am on a roll today.

I just published my screenplay, Stage Blood on Kindle.

Now, I should start off by explaining a few things:

1.) I wrote this script in fall of 2008 when I became obsessed with late nite T.V. horror hosts. We didn't really have one in St. Louis (though I did grow up catching any appearance of Elvira on TV when I could... and I was an obsessed Joe Bob viewer when we finally got cable and Drive-In Theater was on The Movie Channel (and later MonsterVision on TNT). During this time I was buying a lot of official (and some bootlegs) of TV horror hosts, both modern and classic. Thus, I wanted to translate this obsession (which still persists to this day)  into a story.

2.) This script it short. Sixty pages (which, in film language, translates to about an hour of screen time). The reason for this is that, at the time, Mick Garris' Masters of Horror anthology show was on Showtime (where it lasted for two seasons, before mutating into Fear Itself and landing on network television). Anyhow, I dreamt of one-day being considered a Master of Horror and being given the opportunity to write episodes for Garris' Showtime show. Thus, my scripts (Stage Blood and another, Petcare, which I plan to publish later on today) are the required length for that show.

3.) The cover art was created by AI. I don't like the monster at all. I pictured something bonier, more angular, more demonic, perhaps something from a death metal album cover. They gave me a skeletal purple rat. I also don't like how obvious the late nite TV horror hosts are portrayed in this picture, but c'est la vie. Also, the AI image generator I was using said, "I cannot show gore strewn everywhere".

Seriously?!

Come on!

I'm trying to create a horror movie poster here... what is problematic about some insane gore?!

Whatever.

Enjoy Stage Blood

 

 


  

Wolves at the Door Screenplay on Kindle

My Werewolf apocalypse (a concept I believe I am the first writer to explore) screenplay Wolves at the Door is now on Kindle.

So proud of this script.

I truly do believe it is some of my best work.

It was started in summer 2024 and finish in summer 2025.

The only person to have read it thus far is my friend Tim Scott. 

Incidentally, this is my third werewolf script.

I think the only other monster I love writing about more than werewolves is demons.

And Krampus 

(I have three Krampus scripts; one mostly written and the other two waiting to be written during future Christmases).

I believe all of these stem from German/European/Black Forest heritage.

Regardless, enjoy Wolves at the Door


 

 

Thursday, July 23, 2026

Tonight's Writing

I am on page twenty of Depravity.

I am really loving these characters (especially my protagonist).

I cannot wait to get to the next scene, the next act... 

Successes with my writing (like I just had with Muscles & Wine) fuels me. And setbacks (like I just had with Personal Demons) drown away when I'm writing.

Truly the greatest feeling on Earth... to create.

Each day I read a little bit of William S. Burroughs' last published books of journals (Last Words) and one quote jumped out at me:

 “Yes, for all of us in the Shakespeare Squadron, writing is just that: not an escape from reality, but an attempt to change reality, so [the] writer can escape the limits of reality.”

Good words to end the night with.  

Tuesday, July 21, 2026

Jersey City Horror Film Festival Rejection

Personal Demons was shot down by the Jersey City Horror Film Festival. 

This is Personal Demons' 4th rejection of 2026 and it's 6th in a year.

It was broken up only by being a semi-finalist at the Filmmatic Horror Screenplay Awards in February (where it remains in that spot, according to Film Freeway).

Not going to lie, this is disheartening.

Has the magic worn off?

Has my luck run out?

Or am I just in a bit of a dry spell?

I guess I am just so impacted by these recent rejections because I am so used to winning. Thus far I have 19 either wins or near-wins since 2019. I suppose no one can maintain that impressive of a track record for that long (7 years!). It's just disheartening that I haven't had a win yet in 2026. 

However... onward I trudge.  

 

I'll meditate on this more in a separate post, but here is the rejection email.

FilmFreeway

Dear Erik D.,

This is an automated email to notify you that Jersey City Horror Film Festival has updated the Judging Status of your submission.

Personal Demons

Not Accepted

Not Selected

Project was not selected to be included in festival.

You can contact Jersey City Horror Film Festival by replying to this email or sending an email to jcpfilmfestival@gmail.com.

 

 

 

Sunday, July 19, 2026

More Accoldaes From Austin!

 Just got this email today...

Your submission has been selected!

Greetings , 

Congratulations! Your submission, Muscles & Wine, is rated in the top 30% of submissions by our judges and has been named an official selection of Austin Comedy Film Festival Fall 2026! This event will take place on Saturday, September 26, 2026 at the Southwest Theaters, 13729 Research Blvd, Austin, TX 78750, USA. Please check the name, spelling and credits of your submission on the event page:


You can manually update the public information about your screenplay by creating an account at filmfestivalcircuit.com with the email address erikdharshman@gmail.com and update your synopsis, tagline, state, writer's statement, public contact info and poster if you'd like. Here is a YouTube tutorial if you need help: https://www.youtube.com/watch?v=RGNhRL-2ny4 

Download the Official Selections and Award Finalist Laurels here: Film Festival Circuit Public Google Drive (LINK)
Visit Event Page
What is my scorecard and why is this important? 
You've received an email from us with a link to our premium option to unlock the five scorecards from the judges about your specific submission. This is optional for screenwriters who want feedback from our Texas-based judges. We have created one marketing scorecard, three private creative scorecards, and one private technical scorecard for your submission. 

The marketing scorecard is worth 20 points, the technical scorecard is worth 20 points, and each creative scorecard is worth 20 points. If you didn't score a full 20 out of 20 on your marketing scorecard, you can log in at filmfestivalcircuit.com and update this information yourself. Here is a link to the instructions: https://www.youtube.com/watch?v=RChdDeEiK2Y.

If you didn't score a full 20 out of 20 on your technical scorecard and want to make changes, you must first unlock your scorecards. Then, contact me if you'd like to update your video file so your submission can be re-evaluated. Here are the technical requirements we use to evaluate all films, regardless of genre: 


At this time, your creative scorecards cannot be changed. The Texas-based judges have evaluated your submission and will not re-evaluate creative scorecards this season. If you submit to any of our partner film festivals https://filmfestivalcircuit.com/submissions a different group of judges will evaluate your submission and issue three new creative scorecards. Different judges in different markets have different opinions, so their evaluations may differ. Here is a link to the creative scorecard evaluation video: https://youtu.be/WM45PnaQFsI

Please connect with us on social media 

Every attendee must purchase a ticket. There are no screenwriter passes. How does the award process work? Is there a Q&A? Is there a dress code? If you are planning to attend this event, please read this article first. Link: https://filmfestivalcircuit.com/blog/live-awards-presentation. I've written an article that you may find helpful if you're thinking about attending https://filmfestivalcircuit.com/blog/five-reasons-why-screenwriters-should-attend-film-festivals.  We are looking forward to the audience reaction to these films, meeting this great group of screenwriters, and networking with all of you in Austin. Award Winners will be announced on Saturday, September 26, 2026 live at the event. Thank you for sharing your creative work with us.
Best Regards, 
Mikel Fair, Film Festival Circuit CEO